Faculty of Arts
Your selection
BA - Political Science (Minor), First year (2012 ->)Certificate of 40 credits ECTS in Linguistics (2018 ->)
Master of Arts (MA), Specialisation "New American Studies"
MA - Mise à niveau Cinéma
List of courses
- American Countercultures - [Seminar]
- Sequence analysis of a film - Groupe 1 [Course+Seminar]
- Sequence analysis of a film - Groupe 2 [Course+Seminar]
- Sequence analysis of a film - Groupe 3 [Course+Seminar]
- Sequence analysis of a film - Groupe 4 [Course+Seminar]
- Analysing Acting for the Screen - [Course+Seminar]
- Graphic and audio-visual anthropology: deepening qualitative methods in social sciences - [Course+Seminar]
- Approaches to the study of language - [Course]
- Tutorial and exercises in diachronic linguistics - [Practical work]
- Believing, Knowing, Doubting. Comparative and empirical Perspectives on Epistemic Modality - [Course+Seminar]
- Delightful Dystopias : poetics and paradox of a literary genre - [Course+Seminar]
- EcoPoetry and the Climate Emergency - [Seminar]
- Environmental Crisis and Societal Change - [Course+Seminar]
- Ethnic American Literature and Affect - [Seminar]
- Studying TV series - [Course+Seminar]
- Archive Films: Preservation, Use and Re-Use - [Course+Seminar]
- Dance Films et Choreographies for the Camera - [Course+Seminar]
- Gender and Spirituality in Ecological Commitments: Theoretical and Empirical Approaches (I.) - [Course+Seminar]
- Gender and Spirituality in Ecological Commitments: Theoretical and Empirical Approaches (I.) - [Course+Seminar]
- Colonial and Post-Colonial History - [Course+Seminar]
- History of Political Ideas - [Seminar]
- History of Political Ideas - [Course]
- History of cinema and dispositives: International perspectives - [Course+Seminar]
- History of cinema and dispositives: International perspectives - Conférences [Seminar]
- History and Mediatisation of Present Time - [Course+Seminar]
- Historical Sociolinguistics - [Course+Seminar]
- History : methodology - [Course]
- Historiography: Theories - [Course]
- Ideas and politics of nature - [Course]
- Introduction to film analysis and text analysis - Groupe 1 [Practical work]
- Introduction to film analysis and text analysis - Groupe 2 [Practical work]
- Introduction to film analysis and text analysis - Groupe 3 [Practical work]
- Introduction to film analysis and text analysis - Groupe 4 [Practical work]
- Introduction to film analysis and text analysis - Groupe 5 [Practical work]
- Political Institutions and Constitutional Law - [Course]
- Introduction to Linguistics - A Lettres [Course]
- Introduction to Linguistics - B Lettres [Course]
- Introduction to Diachronic Linguistics - [Course]
- Introduction to Political Science - [Course]
- Introduction to Political Science - DD [Seminar]
- Introduction to sociolinguistics - [Course]
- Introduction to sociolinguistics - [Practical work]
- Introduction to the History of Television in Switzerland - [Course+Seminar]
- Introduction to Film History - [Course]
- Introduction to Film Studies - [Course]
- Introduction to Film Studies - Projections [Exercises]
- Introduction to the sounds of language - [Course]
- Introduction to Economic Theories - [Course]
- Introduction to Economic Theories - [Seminar]
- Introduction to New American Studies - A [Course+Seminar]
- Jane Austen and the Romantics - [Seminar]
- Filmed Diary and First Person Cinema - [Course+Seminar]
- Italian Comedy - [Course+Seminar]
- The Atomic Age II (from Cold War nuclear proliferation to the nuclearization of the world) - [Seminar]
- Language and society - [Course+Seminar]
- Animation in Japan: History, Theory and Practice - [Course+Seminar]
- The Prasens-Film : Towards a History of the Main Production Film Company in Switzerland - [Course+Seminar]
- Alain Tanner’s Cinema - [Course+Seminar]
- Alain Tanner’s Cinema - Projections [Exercises]
- Cinema in Common: for a History of Cinema Collectives - [Course+Seminar]
- Contemporary Ecocinema, from Days of Heaven (Malick, 1978) to Behemot (Zhao Liang, 2015) - [Course+Seminar]
- The Contemporary Ecofiction - P [Seminar]
- Approaching language from various perspectives - [Course]
- The Editing-King and The Golden Age of the Silents - [Course+Seminar]
- The languages of pre-imperial Italy - [Course+Seminar]
- Early Video, between Art and Militancy - [Course+Seminar]
- Historical Linguistics : the Iranian languages - [Course+Seminar]
- Methodologies of the study of language - [Course+Practical work]
- New American Studies : colloque final - [Colloquium]
- Oikos : The Sense of Nature & Freedom in H.D. Thoreau's Walden - [Course+Seminar]
- History of Film Theory - [Course]
- Participation in scientific conference - [Colloquium]
- Experimental Phonetics - [Course+Practical work]
- International Environmental Policies - [Course+Seminar]
- Pragmatics III: Institutional Talk - [Course+Seminar]
- Pragmatics II: Talk-In-Interaction - [Practical work]
- Pragmatics I : language and action - [Course]
- Reading Race and Sex in American Literature - [Course+Seminar]
- Realism and scepticism - [Course+Seminar]
- Stanley Cavell, Cinema and Scepticism - [Course+Seminar]
- Sound systems - [Course]
- Terrorism and identity politics in American cinema: 1960-2022 - [Course+Seminar]
- Computer processing of text data - [Course+Practical work]
- Linguistic Typology - [Course+Seminar]
- Meaningful units I - [Course]
- Meaningful units II - [Course+Practical work]
- Meaningful units III - [Course+Seminar]
- Virginia Woolf, Colette, and the significance of the non human - [Course+Seminar]