Faculty of Arts - Autumn 2020
Your selection
MA - Complément de formation en langues classiques, Latin (2015->)MA - Specialisation 'History of Films : Theories/Practices' (2017 ->)
MA - Historical and Scientific Study of Religions (2015 ->)
MA - Mise à niveau Histoire de l'art
List of courses
- Analysis of the production process and distribution - [Course]
- Analysis of the film industry professions - [Course]
- Anthropology and Greek Imaginary. Tukhê : Luck and Hazard in Ancient Greek Thought and Religion - [Course+Seminar]
- Archaeology and Religion - [Seminar]
- Non-film archives - [Course+Practical work]
- Contemporary art and religion : debates - [Course]
- Art and power in France from Francis I to Louis XIV - [Seminar]
- Swiss artists in the 20th century: from inventory to exhibition (around an art collection) - [Seminar]
- Comparison in the History of Religions. Reflections on the Craft of Academic Writing - [Seminar]
- From Early English to Decorated Style : Art in England 1170-1350 - [Course]
- The deposit on the screen - [Course+Practical work]
- Between philosophy, history and theology: the enlightenment invention of anthropology I - [Seminar]
- Epistemology and Historiography in Religious Studies II - [Course]
- Exile and Sovereignty - [Course+Seminar]
- Basic training in Latin for Master students - [Course+Practical work]
- Gender, law and justice - [Course+Seminar]
- Gender and Spirituality in Ecological Commitments: Theoretical and Empirical Approaches (I.) - [Course+Seminar]
- Herodotus and Egypt - [Course+Seminar]
- Information, Celebration, Execution: Images and Conflicts in Modern Europe (16th-18th Centuries) - [Course]
- Visual Anthropology : Rituals, Otherness, Colonialisms - [Course+Seminar]
- Introduction to history of art I - medieval period - [Course]
- Introduction to history of art II - first modern times - [Course]
- Introduction to archival issues and approach to film restoration - [Course+Practical work]
- Introduction to the Targums - [Seminar]
- Islam, gender and sexuality - [Course+Seminar]
- Martyrdoms Narratives. Between history and worship. - [Course]
- Social painting in 19th-century Europe - [Seminar]
- Spirituality and body: psychological views? - [Course+Seminar]
- Sufism: History, Foundations, Practice (Themes in South Asian Studies) - [Course]
- Personal reading of Hindi texts (MA level) - [Tutorial]
- Personal reading of Urdu texts (MA level) - [Tutorial]
- Philosophic readings of the Bible and the Talmud: The question of evil and the withdrawal of God I - [Seminar]
- Contemporary artists and churches: between secular and sacred - [Seminar]
- The avant-gardes of the first quarter of the 20th century - [Seminar]
- Religion and spirituality in healthcare institutions (I.) - [Course]
- Women in Islamic History (7th-16th C.) - [Course+Practical work]
- The Hellenization of Jews - [Seminar]
- The History of the Transmission of Buddhist Manuscripts - [Seminar]
- Debatting about Jewish History. Two Centuries of theological and political controversy - [Course+Seminar]
- Hindi literature I (level 3) : Readings from Pancatantra/hitopadesa in Hindi/Braj - [Course+Seminar]
- Urdu Literature I (Level 3) : Prose - [Course+Seminar]
- Sanskrit Literature I (level 3) - [Course+Seminar]
- Middle-Indian Literature (level 3) - [Seminar]
- The Indian fables (Themes in South Asian Studies) - [Seminar]
- Islamophobia : theoretical debates and empirical studies - [Seminar]
- Migration in the arts, arts in migration and migrant artistes - [Course+Seminar]
- Naples: artistic capital of the Mediterranean (from the 16th to the 18th century) - [Seminar]
- Nature's influence on city form - [Course]
- Bodies, norms, medicines - [Course+Seminar]
- Gold, silver, ivory : precious arts in the Late Antiquity (IV-VIII ct.) - [Course]
- Making (ECAL) - [Exercises]
- Making (HEAD) - [Exercises]
- Rome between Goths and Ottonians : art and architecture from a melting pot - [Seminar]
- Rubens and the Flemish School - [Course]
- Advanced methodology : issues and debates in South Asian Studies - [Seminar]
- Theories and methods in art history - A [Course]
- Seminar in comparatism: Comparative History of Religions and altered states of counsciousness. The problem of the relationship between nature and culture with reference to the notion of 'cultural biotope' - [Seminar]
- Trajectories of architects, entrepreneurs and craftsmen from the Vaud region (1850-1950) - A [Seminar]
- Proseminar in History of Art and Techniques of the Contemporary Period - Cont [Practical work]
- Proseminar in History of Art and Techniques of the Contemporary Period - Cont [Practical work]
- Proseminar in History of Art and Techniques of the Contemporary Period - Cont [Practical work]
- Proseminar in History of Art and Techniques of the Medieval Period - Med [Practical work]
- Proseminar in History of Art and Techniques of the Medieval Period - Med [Practical work]
- Proseminar in History of Art and Techniques of the Medieval Period - Med [Practical work]
- Proseminar in History of Art and Techniques of the Early Modern Period - Mod [Practical work]
- Proseminar in History of Art and Techniques of the Early Modern Period - Mod [Practical work]
- Proseminar in History of Art and Techniques of the Early Modern Period - Mod [Practical work]
- UNIGE: Comparative Anthropology of Polytheisms I: introduction - [Course+Seminar]
- UNIGE: Memorial schemes. Authority, Tradition, exploration - [Course+Seminar]
- UNIGE: Egypt in the mirror of Esoterism - [Seminar]
- UNIGE: Divinatory Practices, Issues and Modalities - [Course+Seminar]
- UNIGE: Female Prostitutes and Matrones in the Religions of Ancient Mediterranean Sea - [Course+Seminar]
