Faculty of Arts
Your selection
MA Digital Humanities, commun program 'Digital Culture, Societies and Humanities'MA - Specialisation "African Studies : Textwork and Fieldwork"
MA - Mise à niveau Cinéma
BA - Political Science (Minor), 2nd part (2012 ->)
Course structure
Master of Arts (MA) in Digital Humanities (2016 ->) | |
Degree : | Master of Arts (MA) in Digital Humanities |
Master of Arts (MA) in Digital Humanities - M29023 - Mandatory - Credits: 120.00
Level : MaîtriseCommon Core Program 'Digital Culture, Societies and Humanities' - M29681 - Mandatory - Credits: 60.00
Level : MaîtriseIntroductory courses - M29682 - Mandatory - Credits: 30.00
Level : MaîtriseIntroduction to Computer Science for the Humanities and Social Sciences - M29026 - Mandatory - Credits: 15.00 - Evaluation mode: Evaluation à crédits
Code : MA-INTERFAC-CSHN-10Level : MaîtriseIntroduction to Digital Culture, Societies and Humanities - M29027 - Mandatory - Credits: 15.00 - Evaluation mode: Evaluation à crédits
Code : MA-INTERFAC-CSHN-20Level : Maîtrise
Advanced courses in Digital Cultures, Societies and Humanities - M29025 - Mandatory - Credits: 30.00
Level : MaîtriseDigital Culture, Societies and Humanities: Reinforcement Modules - M29028 - Mandatory - Credits: 12.00 - Evaluation mode: Evaluation à crédits
Code : MA-INTERFAC-CSHN-30Level : MaîtriseElectives Courses - M29029 - Mandatory - Credits: 18.00 - Evaluation mode: Evaluation à crédits
Code : MA-INTERFAC-CSHN-40Level : MaîtriseComputer Science for the Humanities and Social Sciences - M29030 - Optionnelle
Code : MA-INTERFAC-CSHN-4010Level : MaîtriseSocial and Political Issues in the Digital Age - M29031 - Optionnelle
Code : MA-INTERFAC-CSHN-4020Level : MaîtriseHistory and Theory of Digital Arts: Literature, Images, Arts and Media - M29032 - Optionnelle
Code : MA-INTERFAC-CSHN-4030Level : Maîtrise
Master of Arts (MA), Specialisation "African Studies : Textwork and Fieldwork" (2015 ->) | |
Degree : | Master of Arts (MA) |
Duration : | Full time From 3 to 5 semesters, with exceptions, for the Master of Arts degree worth 90 ECTS credits and from 4 to 6 semesters, with exceptions, for the Master of Arts degree with specialisation worth 120 ECTS credits. 1 credit ECTS = 25-30 hours of workload Part time From 6 to 8 semesters, with exceptions, for the Master of Arts degree worth 90 ECTS credits and from 8 to 10 semesters, with exceptions, for the Master of Arts degree with specialisation worth 120 ECTS credits. 1 credit ECTS = 25-30 hours of workload |
Master of Arts (MA), Specialisation "African Studies : Textwork and Fieldwork" - M28587 - Mandatory - Credits: 30.00
Level : MaîtriseLiterature and History - M28589 - Mandatory - Credits: 12.00 - Evaluation mode: Evaluation à crédits
Code : MA-SPEC-EATT-01Level : MaîtriseLessons, courses and study days - M28590 - Mandatory - Credits: 18.00 - Evaluation mode: Evaluation à crédits
Code : MA-SPEC-EATT-02Level : Maîtrise
Mise à niveau MA, Histoire et esthétique du cinéma (2013 ->) |
Mise à niveau MA, Histoire et esthétique du cinéma - M25576 - Mandatory - Evaluation mode: Evaluation à crédits
Code : NIV-CINELevel : Mise à niveau MasterIntroductory courses in film history & aesthetics - M25971 - Facultative
Code : NIV-CINE-1-10Level : Mise à niveau MasterTheory and film analysis - M25972 - Facultative
Code : NIV-CINE-1-1010Level : Mise à niveau MasterFilm History - M25973 - Facultative
Code : NIV-CINE-1-1020Level : Mise à niveau MasterTheoretical overview - M25974 - Facultative
Code : NIV-CINE-1-1030Level : Mise à niveau Master
- M25970 - Facultative
Code : NIV-CINE-2Level : Mise à niveau MasterFilm history - M25975 - Facultative
Code : NIV-CINE-2-10Level : Mise à niveau MasterList of courses :
Courses Teacher(s) Hours per week Type Semester Status Credits Chris Marker, Filmic Essays and Political Involvement François Bovier 2 Course+Seminar Autumn semester Optional 3 History : methodology Mireille Berton 2 Course Autumn semester Compulsory 3 Introduction to the History of Photography Olivier Lugon 2 Course Spring semester Optional 3 Captured Gaze, Capturing Gaze Valentine Robert 2 Course+Seminar Spring semester Optional 3 The soap opera and its female spectators: a cultural studies approach Delphine Chedaleux 2 Course+Seminar Autumn semester Optional 3 Cinema Techniques : Gestures and Machines Benoît Turquety 2 Course+Seminar Spring semester Optional 3 List of exams :
Examination Teacher(s) Coef. Modalities Status Credits Chris Marker, Filmic Essays and Political Involvement François Bovier 1 Oral validation, Written validation Optional 3.00 History : methodology Mireille Berton 1 Written validation Mandatory 3.00 Introduction to the History of Photography Olivier Lugon 1 Continuous validation Optional 3.00 Captured Gaze, Capturing Gaze Valentine Robert 1 Oral validation, Written validation Optional 3.00 The soap opera and its female spectators: a cultural studies approach Delphine Chedaleux 1 Oral validation, Written validation Optional 3.00 Cinema Techniques : Gestures and Machines Benoît Turquety 1 Oral validation, Written validation Optional 3.00 Extensive work in film history François Bovier, Delphine Chedaleux, Olivier Lugon, Valentine Robert, Benoît Turquety 1 Oral validation, Written validation Mandatory 2.00 Film theories - M25976 - Facultative
Code : NIV-CINE-2-20Level : Mise à niveau MasterList of courses :
Courses Teacher(s) Hours per week Type Semester Status Credits Abdellatif Kechiche: place and critics of his films in French Cinema Benoît Turquety 2 Course+Seminar Spring semester Optional 3 Alfred Hitchcock: suspense and 'pure cinema': the British years Stéphane Tralongo 2 Course+Seminar Spring semester Optional 3 History of cinema and dispositives: International perspectives Mireille Berton, Omar Hachemi 1 Course+Seminar Spring semester Optional 3 History of cinema and dispositives: International perspectives - Conférences Mireille Berton, Omar Hachemi Seminar Spring semester Optional 0 Psychoanalysis in Film Mireille Berton 2 Course+Seminar Autumn semester Optional 3 Psychoanalysis in Film - PROJECTIONS Mireille Berton 2 Exercises Autumn semester Optional 0 Spectacular in Film Stéphane Tralongo 2 Course+Seminar Autumn semester Optional 3 Survey and Control through the Cathode-ray Tube : an Alternate History of Television (1950-1970) Mireille Berton 2 Course+Seminar Spring semester Optional 3 Theories methodology Mireille Berton 2 Course Spring semester Compulsory 3 List of exams :
Examination Teacher(s) Coef. Modalities Status Credits Abdellatif Kechiche: place and critics of his films in French Cinema Benoît Turquety 1 Oral validation, Written validation Optional 3.00 Alfred Hitchcock: suspense and 'pure cinema': the British years Stéphane Tralongo 1 Oral validation, Written validation Optional 3.00 History of cinema and features: International looks Mireille Berton 1 Written validation Optional 3.00 Psychoanalysis in Film Mireille Berton 1 Oral validation, Written validation Optional 3.00 Spectacular in Film Stéphane Tralongo 1 Oral validation, Written validation Optional 3.00 Survey and Control through the Cathode-ray Tube : an Alternate History of Television (1950-1970) Mireille Berton, Anne-Katrin Weber 1 Written validation Optional 3.00 Theories methodology Mireille Berton 1 Written validation Mandatory 3.00 Extensive work in film theory Mireille Berton, Stéphane Tralongo, Benoît Turquety 1 Oral validation, Written validation Mandatory 2.00 Film analysis - M25977 - Facultative
Code : NIV-CINE-2-30Level : Mise à niveau MasterList of courses :
Courses Teacher(s) Hours per week Type Semester Status Credits Sequence analysis of a film - Groupe 1 Stéphane Tralongo 2 Course+Seminar Annual Optional 3 Sequence analysis of a film - Groupe 2 Mireille Berton 2 Course+Seminar Annual Optional 3 Sequence analysis of a film - Groupe 3 Laurent Le Forestier 2 Course+Seminar Annual Optional 3 Sequence analysis of a film - Groupe 4 Charles-Antoine Courcoux, Valentine Robert 2 Course+Seminar Annual Optional 3 Frederik Wiseman: Direct Cinema and Impersonal Enunciation François Bovier 2 Course+Seminar Spring semester Optional 3 New German Cinema Sylvain Portmann 2 Course+Seminar Autumn semester Optional 3 New German Cinema - PROJECTIONS Sylvain Portmann 2 Exercises Autumn semester Optional 0 Nicholas Ray Benoît Turquety 2 Course+Seminar Spring semester Optional 3 Considering Telecommunications : Technological Imaginaries in Film and TV Series Alain Boillat 2 Course+Seminar Autumn semester Optional 3 Screening Simenon : the Novels and their Films Alain Boillat 2 Course+Seminar Spring semester Optional 3 List of exams :
Examination Teacher(s) Coef. Modalities Status Credits Sequence analysis of a film Mireille Berton, Charles-Antoine Courcoux, Laurent Le Forestier, Valentine Robert, Stéphane Tralongo 1 Continuous validation Mandatory 3.00 Frederik Wiseman: Direct Cinema and Impersonal Enunciation François Bovier 1 Oral validation, Written validation Optional 3.00 New German Cinema Sylvain Portmann 1 Oral validation, Written validation Optional 3.00 Nicholas Ray Benoît Turquety 1 Oral validation, Written validation Optional 3.00 Considering Telecommunications : Technological Imaginaries in Film and TV Series Alain Boillat 1 Oral validation, Written validation Optional 3.00 Screening Simenon : the Novels and their Films Alain Boillat 1 Oral validation, Written validation Optional 3.00 Extensive work in film analysis Alain Boillat, François Bovier, Sylvain Portmann, Benoît Turquety 1 Oral validation, Written validation Mandatory 2.00 Optional Courses - M25978 - Facultative
Code : NIV-CINE-2-40Level : Mise à niveau MasterList of courses :
Courses Teacher(s) Hours per week Type Semester Status Credits Abdellatif Kechiche: place and critics of his films in French Cinema Benoît Turquety 2 Course+Seminar Spring semester Optional 3 Alfred Hitchcock: suspense and 'pure cinema': the British years Stéphane Tralongo 2 Course+Seminar Spring semester Optional 3 Chris Marker, Filmic Essays and Political Involvement François Bovier 2 Course+Seminar Autumn semester Optional 3 Frederik Wiseman: Direct Cinema and Impersonal Enunciation François Bovier 2 Course+Seminar Spring semester Optional 3 History of cinema and dispositives: International perspectives Mireille Berton, Omar Hachemi 1 Course+Seminar Spring semester Optional 3 History of cinema and dispositives: International perspectives - Conférences Mireille Berton, Omar Hachemi Seminar Spring semester Optional 0 Introduction to the History of Photography Olivier Lugon 2 Course Spring semester Optional 3 Psychoanalysis in Film Mireille Berton 2 Course+Seminar Autumn semester Optional 3 Psychoanalysis in Film - PROJECTIONS Mireille Berton 2 Exercises Autumn semester Optional 0 New German Cinema Sylvain Portmann 2 Course+Seminar Autumn semester Optional 3 New German Cinema - PROJECTIONS Sylvain Portmann 2 Exercises Autumn semester Optional 0 Captured Gaze, Capturing Gaze Valentine Robert 2 Course+Seminar Spring semester Optional 3 The soap opera and its female spectators: a cultural studies approach Delphine Chedaleux 2 Course+Seminar Autumn semester Optional 3 Spectacular in Film Stéphane Tralongo 2 Course+Seminar Autumn semester Optional 3 Nicholas Ray Benoît Turquety 2 Course+Seminar Spring semester Optional 3 Considering Telecommunications : Technological Imaginaries in Film and TV Series Alain Boillat 2 Course+Seminar Autumn semester Optional 3 Screening Simenon : the Novels and their Films Alain Boillat 2 Course+Seminar Spring semester Optional 3 Survey and Control through the Cathode-ray Tube : an Alternate History of Television (1950-1970) Mireille Berton 2 Course+Seminar Spring semester Optional 3 Cinema Techniques : Gestures and Machines Benoît Turquety 2 Course+Seminar Spring semester Optional 3 List of exams :
Examination Teacher(s) Coef. Modalities Status Credits Abdellatif Kechiche: place and critics of his films in French Cinema Benoît Turquety 1 Oral validation, Written validation Optional 3.00 Alfred Hitchcock: suspense and 'pure cinema': the British years Stéphane Tralongo 1 Oral validation, Written validation Optional 3.00 Chris Marker, Filmic Essays and Political Involvement François Bovier 1 Oral validation, Written validation Optional 3.00 Frederik Wiseman: Direct Cinema and Impersonal Enunciation François Bovier 1 Oral validation, Written validation Optional 3.00 History of cinema and features: International looks Mireille Berton 1 Written validation Optional 3.00 Introduction to the History of Photography Olivier Lugon 1 Continuous validation Optional 3.00 Psychoanalysis in Film Mireille Berton 1 Oral validation, Written validation Optional 3.00 New German Cinema Sylvain Portmann 1 Oral validation, Written validation Optional 3.00 Captured Gaze, Capturing Gaze Valentine Robert 1 Oral validation, Written validation Optional 3.00 The soap opera and its female spectators: a cultural studies approach Delphine Chedaleux 1 Oral validation, Written validation Optional 3.00 Spectacular in Film Stéphane Tralongo 1 Oral validation, Written validation Optional 3.00 Nicholas Ray Benoît Turquety 1 Oral validation, Written validation Optional 3.00 Considering Telecommunications : Technological Imaginaries in Film and TV Series Alain Boillat 1 Oral validation, Written validation Optional 3.00 Screening Simenon : the Novels and their Films Alain Boillat 1 Oral validation, Written validation Optional 3.00 Survey and Control through the Cathode-ray Tube : an Alternate History of Television (1950-1970) Mireille Berton, Anne-Katrin Weber 1 Written validation Optional 3.00 Cinema Techniques : Gestures and Machines Benoît Turquety 1 Oral validation, Written validation Optional 3.00 Exams - M25979 - Facultative
Code : NIV-CINE-2-50Level : Mise à niveau MasterList of exams :
Examination Teacher(s) Coef. Modalities Status Credits Sequence analysis of a film Mireille Berton, Alain Boillat, François Bovier, Charles-Antoine Courcoux, Pierre-Emmanuel Jaques, Laurent Le Forestier, Olivier Lugon, Sylvain Portmann, Valentine Robert, Stéphane Tralongo 1 Oral examination Mandatory 2.00 Text analysis Mireille Berton, Alain Boillat, François Bovier, Charles-Antoine Courcoux, Séverine Graff, Pierre-Emmanuel Jaques, Laurent Le Forestier, Olivier Lugon, Sylvain Portmann, Valentine Robert, Maria Tortajada, Benoît Turquety 1 Oral examination Mandatory 2.00 Film analysis Mireille Berton, Alain Boillat, Charles-Antoine Courcoux, Séverine Graff, Laurent Guido, Laurent Le Forestier, Sylvain Portmann, Valentine Robert, Maria Tortajada, Stéphane Tralongo, Benoît Turquety 1 Written exam Optional 4.00 History of cinema Mireille Berton, François Bovier, Delphine Chedaleux, Séverine Graff, Pierre-Emmanuel Jaques, Laurent Le Forestier, Olivier Lugon, Maria Tortajada, Stéphane Tralongo, Benoît Turquety 1 Written exam Optional 4.00 Film theory Mireille Berton, Alain Boillat, François Bovier, Charles-Antoine Courcoux, Laurent Le Forestier, Maral Mohsenin, Izabella Pluta, Sylvain Portmann, Marie Rebecchi, Stéphane Tralongo, Benoît Turquety 1 Written exam Optional 4.00
Bachelor of Arts (BA), Political Science (Minor/External Branch) (2012 ->) | |
Degree : | Bachelor of Arts (BA) |
Duration : | From 6 to 10 semesters, with exceptions, for the Bachelor of Arts degree worth 180 ECTS credits. 1 credit ECTS = 25-30 hours of workload |
Political Science (Minor/External Branch), 2nd part - M22850 - Mandatory - Credits: 42.00
Level : 2ème partie BaOptional Courses Module, Minor in Political Science, 2nd part - M22853 - Mandatory - Credits: 30.00 - Evaluation mode: Evaluation à crédits
Level : 2ème partie BaOptional Seminars Module, Minor in Political Science, 2nd year - M22854 - Mandatory - Credits: 12.00 - Evaluation mode: Evaluation à crédits
Level : 2ème partie Ba