Neil Forsyth

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125 publications

2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1996 | 1993 | 1987 | 1981 |
 
George Gordon Byron: 'Darkness'
Forsyth N., 2016/09. The Literary Encyclopedia pp. NA. Peer-reviewed.
George Gordon Byron, Cain
Forsyth N., 2016/08. The Literary Encyclopedia pp. NA. Peer-reviewed.
 
Citizen Shakespeare
Forsyth N., 2016/07. Times Literary Supplement 5912 p. 10. Peer-reviewed.
"Richard III, si cruel, si laid, si séduisant"
Forsyth N., 2016/03. Le Temps, samedi 26 mars 2016 p. 46.
Bakkhai by Euripides at Almeida Theatre, London.
Forsyth N., 2016. European Stages, 6 pp. NA.
 
Mary Hammond, Charles Dickens's 'Great Expectations': A Cultural Life, 1860-2012
Forsyth N., 2015/12. Dickens Quarterly, 32 (4) pp. 338-341. Peer-reviewed.
"Hands in Dickens: Neuroscience and Interpretation"
Forsyth N., 2015/09. Dickens Quarterly, 32 (3) pp. 211-220.
"Milton's Corrupt Bible"
Forsyth N., 2015/08. pp. 209-223 dans Killeen K., Smith H., Willie R. J. (eds.) The Oxford Handbook of the Bible in Early Modern England, c. 1530-1700, Oxford UP.
Divine Evil ? The Moral Character of the God of Abraham (Oxford, Oxford University Press, 2013)
Forsyth N., 2015/06. Asdiwal: revue genevoise d'anthropologie et d'histoire des religions 10 pp. 199-203.
"The Slow Pacific Swell"
Forsyth N., 2015/04. The Literary Encyclopedia pp. NA.
Comus: A Masque Presented at Ludlow Castle
Neil Forsyth, 2015/04. The Literary Encyclopedia pp. NA.
 
"Yvor Winters"
Forsyth N., 2015/02. The Literary Encyclopedia pp. NA.
 
"From Paradise to Wonderland"
Forsyth N., 2015. pp. 393-410 dans Tóth S. (eds.) Szólító Szavak:The Power of Words: tanulmányok Fabiny Tibor : hatvanadik születésnapjára : Papers in honor of Tibor Fabiny's sixtieth birthday, L'Harmattan Kiadó /Károli Gáspár Református Egyetem.
"Hands On"
Forsyth N., 2015. pp. 294-321 dans Jones E. (eds.) A Concise Companion to the Study of Manuscripts, Printed Books, and the Production of Early Modern Texts: A Festschrift for Gordon Campbell chap. 15, John Wiley & Sons, Ltd.
 
"Melons à nos pieds: retour aux 'Bermudes'"
Forsyth N., 2015. pp. 253-274 dans Barbu D., Meylan N., Volokhine Y. (eds.) Mondes clos: les îles, Infolio.
 
Divine Evil? The Moral Character of the God of Abraham. Edited by Michael Bergmann, Michael J. Murray & Michael C. Rea. (Oxford: Oxford University Press, 2011), pp. xii + 337. $140.00/£54.55 (Hbk).
Forsyth Neil, 2015. Scottish Journal of Theology, 68 (04) pp. 484-487. Peer-reviewed.
 
Anonymous: Arden of Faversham
Forsyth N., 2014/10. The Literary Encyclopedia pp. NA. Peer-reviewed.
Gabor Ittzés and Miklós Péti (eds.). Milton Through the Centuries. Budapest: Károli Gáspár University of the Reformed Church in Hungary / L'Harmattan Publishing, 2012, 337 p.
Forsyth N., 2014/07. Anglia, 132 (2) pp. 411-413.
 
Three Women in the World
Forsyth N., 2014/07. Times Literary Supplement 5805 p. 23.
 
Forms of Engagement: Women, Poetry and Culture 1640-1680
Forsyth N., 2014/05. English. Journal of the English Association, 63 (241) pp. 175-178. Peer-reviewed.
 
Satan
Forsyth N., 2014. pp. 17-28 dans Schwartz L. (eds.) The Cambridge Companion to "Paradise Lost" chap. 2, Cambridge University Press.
 
Voyage dans l'imaginaire anglais
Forsyth Neil, 2014/01. NA.
 
Joanna Picciotto, Labors of Innocence in Early Modern England
Forsyth Neil, 2013/11. Modern Philology, 111 (2) pp. E202-E208. Peer-reviewed.
 
Imbalm'd and treasur'd up. Review of John Milton PROSE Major writings on liberty, politics, religion and education Edited by David Loewenstein, 606 p., Wiley-Blackwell, 2012
Forsyth N., 2013/06. Times Literary Supplement 5750 p. 22.
The Quest for the Historical Satan. By Miguel A. De La Torre and Albert Hernandez. Minneapolis: Fortress Press, 2011. xii + 248 p.
Forsyth N., 2013/06. Horizons. The Journal of the College Theology Society, 40 (1) pp. 133-134.
A. St. Hilaire Danielle. Satan's Poetry: Fallenness and Poetic Tradition in Paradise Lost. Pittsburgh, PA: Duquesne UP, 2012. x + 246pp. ISBN 13: 9780820704562
Forsyth Neil, 2013/05. Milton Quarterly, 47 (2) pp. 113-117. Peer-reviewed.
 
Reformation Fictions: Polemical Protestant Dialogues in Elizabethan England. By Antoinina Bevan Zlatar. Oxford: Oxford University Press, 2011
Forsyth Neil, 2013/01. Literature and Theology pp. NA. Peer-reviewed.
 
The Need For Streets: Dickens in Switzerland
Hennard Dutheil de la Rochère M., Forsyth N. (coll.) , 2013. pp. 98-113 dans Leroy M. (eds.) Charles Dickens and Europe, Cambridge Scholars Publishing.
 
The Sense of an Ending
Neil Forsyth, 2013. Asdiwal. Revue genevoise d'anthropologie et d'histoire des religions 8 pp. 125-142.
 
Untrustworthy Authorities: Milton's Idea of the Bible
Forsyth Neil, 2013. pp. 179-186 dans Arnold M., Tournu C. (eds.) La Bible de 1611 : sources, écritures & influences, XVIe-XVIIIe siècles = The King James version : sources, writings & influences, 16th-18th centuries, Presses universitaires de Strasbourg.
 
"Milton, Samson Agonistes and the suicide bomber" Feisal G. Mohamed. Milton and the Post-Secular Present: Ethics, Politics, Terrorism. Stanford University Press
Forsyth Neil, 2012/10. Times Literary Supplement pp. 5-6.
 
Kingdoms and kitchens
Forsyth Neil, 2012/05. Times Literary Supplement 5693 pp. 12-13. Peer-reviewed.
 
Review of Heaven and Its Discontents: Milton's Characters in Paradise Lost. By Bernard J. Paris
Forsyth Neil, 2012/05. Milton Quarterly, 46 (2) pp. 122-123. Peer-reviewed.
 
'Comfort Me With Apples': Ambivalent Allusion in Paradise Lost
Forsyth N., 2012/03. The European Legacy: Toward New Paradigms, 17 (2) pp. 185-196. Peer-reviewed.
 
Charles Dickens in French-Speaking Switzerland
Hennard Dutheil de la Rochère M., Forsyth N. (coll.) , 2012. pp. 270-278 dans Hollington M. (eds.) The Reception of Charles Dickens in Europe, Bloomsbury.
 
Review of The Tempest (Stormen), presented by the Royal Dramatic Theatre, Stockholm, November 19, 2010
Forsyth N., Swärdh A., 2012/01. Early Modern Literary Studies, 16 (1) pp. NA. Peer-reviewed.
 
Review of Two productions of Marlowe's Dr Faustus
Forsyth N., 2012/01. Early Modern Literary Studies, 16 (1) pp. NA. Peer-reviewed.
 
Areopagitica
Forsyth N., 2011/12. The Literary Encyclopedia pp. NA.
 
Doctrine and Discipline of Divorce
Forsyth N., 2011/12. The Literary Encyclopedia pp. NA.
 
John Milton: Life, Writing, Reputation, eds Paul Hammond & Blair Worden, Oxford, 2010
Forsyth N., 2011/12. European Journal of English Studies, 15 (3) pp. 284-87. Peer-reviewed.
 
Lycidas
Forsyth N., 2011/12. The Literary Encyclopedia pp. NA. Peer-reviewed.
 
'Lycidas': A Wolf in Sheep's Clothing
Forsyth N., 2011/11. pp. 335-354 dans Meltzer F., Elsner J. (eds.) Saints: Faith Without Borders, University of Chicago Press.
 
Review of Annabel Patterson. Milton's Words
Forsyth N., 2011/10. Milton Quarterly, 45 (3) pp. 189-193. Peer-reviewed.
 
My Flesh, My Blood
Forsyth Neil, 2011/08. TLS : the Times literary supplement, 5654 (August 12, 2011) p. 10. Peer-reviewed.
 
Shakespeare the Illusionist: Filming the Supernatural
Forsyth N., 2011/06. pp. 227-251 dans Rowe K. (eds.) The Tragedy of Macbeth, Wadsworth Cengage.
 
Lewis Theobald, The Double Falsehood, or The Distressed Lovers
Forsyth Neil, 2011/05. The Literary Encyclopedia pp. NA.
 
Shakespeare, Cardenio
Forsyth Neil, 2011/05. The Literary Encyclopedia pp. NA.
 
Wallace Stevens: 'Sunday Morning'
Forsyth Neil, 2011/05. The Literary Encyclopedia pp. NA. Peer-reviewed.
Authorship from Homer to Wordsworth via Milton
Forsyth N., 2011. SPELL, 25 pp. 107-123. Peer-reviewed.
Review of Lauren Shohet, Reading Masques: The English Masque and Public Culture in the Seventeenth Century. Oxford: Oxford University Press, 2010. 304 pp. £55.00. ISBN: 978-0199295890 (hb).
Forsyth Neil, 2011. Renaissance Studies, 25 (4) pp. 606-608. Peer-reviewed.
 
'Perverse power': Review of Christine Rees, Johnson's Milton, and Sanford Budick, Kant and Milton
Forsyth Neil, 2010/11. Times Literary Supplement 5615 pp. 7-8.
 
Rather than words: Philip Larkin's 'High Windows'
Forsyth Neil, 2010/10. Word & Image, 26 (4) pp. 463-466. Peer-reviewed.
 
Richard III en Contexte
Forsyth Neil, 2010/10. Journal, Théâtre de Vidy p. 7.
 
'Echoing Songs'. Review of Nicholas McDowell, Poetry and Allegiance in the English Civil Wars: Marvell and the Cause of Wit, Oxford, Oxford University Press, 2008
Forsyth Neil, 2010/01. Times Literary Supplement 5572 p. 24.
 
Milton et la tradition classique
Forsyth Neil, 2010. Etudes de Lettres 285 pp. 173-187.
 
The English Church
Forsyth Neil, 2010/01. pp. 292-304 dans Dobranski Stephen (eds.) Milton in Context chap. 24, Cambridge University Press.
 
Review of "Sacramental Poetics at the Dawn of Secularism" by Regina Schwartz
Forsyth Neil, 2009/07. Times Literary Supplement, 5547 p. 27.
 
Give Me Your Hands
Forsyth Neil, 2009/06., UNIL | Université de Lausanne Leçons d'honneur - Faculté des Lettres, UNIL Leçons d'honneur - Vidéo (480 x 360 - pour iPod) iTunes.
 
'Lycidas': a Wolf in Sheep's Clothing
Forsyth Neil, 2009/02. Critical Inquiry, 35 (3) pp. 684-702. Peer-reviewed.
 
From Imitation to Intertextuality
Forsyth Neil, 2009. Nordic Journal of English Studies, 8 (2) pp. 1-8. Peer-reviewed.
 
Intertextuality
Nordic Journal of English Studies (eds.)Forsyth Neil, Onno Kosters, 2009., 8 111, Nordic Journal of English Studies.
 
Milton's Womb
Forsyth Neil, 2009. Nordic Journal of English Studies, 8 (2) pp. 77-89. Peer-reviewed.
 
Review of Sharon Achinstein and Elizabeth Sauer, eds. Milton and Toleration.
Forsyth Neil, 2009/01. Early Modern Literary Studies, 14 (3) pp. 10.1-6. Peer-reviewed.
 
Sublime Cornerstones
Forsyth Neil, 2008/12. Times Literary Supplement, 5516 (7) pp. 14-15.
 
David Riggs, The World of Christopher Marlowe
Forsyth Neil, 2008. Modern Philology, 105 (4) pp. 719-26.
 
John Milton: a Biography
Neil Forsyth, 2008., Oxford: LionHudson.
 
Poètes et sportifs: l'expérience commune du sublime
Forsyth Neil, 2008. Terra Cognita: Revue suisse de l'intégration et de la migration 12 pp. 24-27.
 
Review of Luisa Calé, Fuseli's Milton Gallery, Oxford UP, 2006
Forsyth Neil, 2008. Romanticism and Victorianism on the Net 49.
The Language of Evil: Popular Versus 'Higher' Culture
Forsyth N., 2008. pp. 65-70 dans Billias N., Curry A.B. (eds.) Framing Evil: Portraits of Terror and the Imagination, Inter-Disciplinary Press.
 
Whistling Past a Graveyard: Lyric Poetry as Tragedy
Forsyth Neil, 2008. pp. 563-580 dans Mémoire et oubli dans le lyrisme européen, Honoré Champion.
 
'His First Tongue', review of John K. Hale, Milton's Cambridge Latin, Cambrudge UP 2006
Forsyth N., 2007. TLS, March 23 (5425) p. 26.
 
Forget God
Forsyth N., 2007. Times Literary Supplement, April 13 (5428) p. 32.
 
In Brief. Review of Armando Maggi, In The Company of Demons. University of Chicago Press, 2006.
Forsyth N., 2007. TLS, March 23 (5425) p. 33.
 
Milton: a Timeline
Forsyth N., 2007. dans The Literary Encyclopedia, University of Saskatchewan.
 
Milton: Rights and Liberties
Forsyth N., Tournu C. (eds.), 2007., Peter Lang.
 
Suicide and Revenge
Forsyth N., 2007. dans Tournu Christophe, Forsyth Neil (eds.) Milton, Rights and Liberties., Peter Lang.
 
The Myth of Adam and Eve
Forsyth N., 2007. dans Encyclopedia of Sex and Gender, Thompson-Gale.
 
The Shakespeare Summer, 2007
Forsyth N., 2007. Early Modern Literary Studies, 13 (1).
 
'Saint and Martyr'. Review of Charles I, Eikon Basilike
Forsyth N., 2006. Times Literary Supplement, August 04 (5392) p. 23.
 
Bunyan, John (1628-1688)
Forsyth Neil, 2006. pp. 170-172 dans Grisel P., Kaenel L. (eds.) Encyclopédie de Protestantisme, Labor et Fides.
 
Henry Fielding et Tom Jones
Forsyth N., 2006. Programme de l'Opéra de Lausanne de Philidor, F.-A..
 
La littérature britannique
Forsyth N., 2006. pp. 170-172 dans Grisel P., Kaenel L. (eds.) Encyclopédie de Protestantisme, Labor et Fides.
 
Milton, John (1608-1674)
Forsyth N., 2006. pp. 170-172 dans Grisel P., Kaenel L. (eds.) Encyclopédie de Protestantisme, Labor et Fides.
 
Review of Eighth International Milton Symposium
Forsyth N., 2006. The European English Messenger, 15 pp. 75-76.
 
Shakespeare and the Talkies
Forsyth N., 2006. pp. 79-102 dans Maeder B., Schwyter J., Sigrist I., Vejdovsky B. (eds.) The Seeming and the Seen, Peter Lang.
 
Shakespeare the illusionist: filming the supernatural
Forsyth N., 2006. dans Russell Jackson (eds.) The Cambridge Companion to Shakespeare on Film, Cambridge University Press.
 
The Fall and Milton's Idea of the Fall: a Review Article .
Forsyth N., 2006. Milton Quarterly., 40 pp. 48-59.
 
The Royal Shakespeare Company. 'The War That Still Goes On'. .
Forsyth , N. , 2006. Bryn Mawr Classical Review.
 
The Royal Shakespeare Company. ‘The War That Still Goes On’
Forsyth N., 2006. Bryn Mawr Classical Review.
 
Theatre in ‘Season’: Stratford and the Globe in 2005
Forsyth N., 2006. Early Modern Literary Studies.
 
Troilus and Cressida in Original Pronunciation
Forsyth N., 2006. The European English Messenger, XV pp. 62-65.
 
William Poole, Milton and the Idea of the Fall
Forsyth N., 2006. Times Literary Supplement 10 March.
 
Ces problèmes de mariage qui expliquent la chute
Forsyth Neil, 2005. dans Abeil Olivier, Tournu Christophe (eds.) Milton et le Droit au Divorce, Labor et Fides.
 
Milton and the Terms of Liberty
Forsyth N., 2005. International Journal for the Classical Tradition, 12.2 pp. 313-317.
 
Suicidal Revenge
Forsyth N., 2005. The Literary Magazine, 1 (1).
 
Review of Paradise Lost, performed at the Bristol Old Vic
Forsyth Neil, 2004/05. Early Modern Literary Studies, 10 (1) pp. 16.1-11. Peer-reviewed.
 
Ellen Hinsey, The White Fire of Time
Forsyth N., 2003. European Journal for English Studies, 6 pp. 532-535.
 
Evil in Literature: Grandeur and Nothingness.
Forsyth N, 2003. pp. 1-17 dans Breen M Sönser (eds.) Understanding Evil: an Interdisciplinary Approach, Rodopi.
 
Evil in the Bible and Milton: From Unimaginable to Speakable.
Forsyth N, 2003. Colloquium Helveticum, 34 pp. 117-141.
 
Gaston Bachelard's Theory of Poetic Imagination: Psycholanalysis to Phenomenology
Forsyth N., 2003. Twentieth Century Literary Criticism, 128 pp. 18-31.
 
Language in Memory, Image in Mind.
Forsyth N, 2003. pp. 149-153 dans Graf M., Rochat A., Tappy J.F. (eds.) Les textes comme aventure: hommage à Doris Jakubec, Zoé.
 
Le Prométhée de 1816: Frankenstein et ses compagnons littéraires.
Forsyth N, 2003. pp. 153-86 dans Heidmann U (eds.) Poétiques comparées des mythes: de l'Antiquité à la modernité, Payot.
 
The Satanic Epic
Forsyth N, 2003., Princeton University Press.
 
Milton: The Complete Poetry
Forsyth N., 2002. International Journal for the Classical Tradition, 7 (4) pp. 503-504.
 
Shakespeare and Méliès: Magic, Dream and the Supernatural.
Forsyth N, 2002. Etudes Anglaise, 55 (2) pp. 167-80.
 
The Origins of Evil: Classical or Judeo-Christian ?
Forsyth N, 2002. Perspectives on Evil and Human Wickedness, 1 (1) pp. 17-52.
 
Catherine Gimelli Martin,The Ruins of Allegory
Forsyth N., 2001. International Journal for the Classical Tradition, 7 (3) p. 478.480.
 
Création et incarnation: lectures et relectures du corps chez Blake et Mary Shelley
Hennard Dutheil de la Rochère M., Forsyth N., 2001. EL, 4 pp. 97-120.
 
Création et incarnation: lectures et relectures du corps miltonien chez William Blake et Mary Shelley.
Forsyth N, Hennard Dutheil de la Rochère M, 2001. Etudes de Lettres, 4 pp. 97-119.
 
Shakespeare The European
Forsyth N., 2001. pp. 5-21 dans Weber-Henking I. (eds.) Translating/Traduire/Tradurre Shakespeare. Théorie 40, Centre de traduction littéraire.
 
Shakespeare the Illusionist: Filming the Supernatural.
Forsyth N, 2001. pp. 274-294 dans Jackson R. (eds.) The Cambridge Companion to Shakespeare on Film, Cambridge University Press.
 
At The Sign of the Dove and Serpent
Forsyth N., 2000. Milton Quarterly, 32 (4) pp. 57-65.
 
Paradise Lost and the Origin of "Evil": Classical or Judeo-Christian ?
Forsyth Neil, 2000. International Journal of the Classical Tradition, 6 (4) pp. 516-548. Peer-reviewed.
 
The Present State of Shakespeare Studies
Forsyth N., 2000. The European English Messenger, 9 (1) pp. 67-71.
 
No, But I Saw the Film: David Lean's Oliver Twist.
Forsyth N, 1999. pp. 151-169 dans Sadrin A (eds.) Dickens, Europe and The New Worlds, Macmillan.
 
Ghosts and Courts: the Opening of "Hamlet" in Screening Hamlet.
Forsyth N, 1998. Shakespeare Yearbook pp. 1-18.
 
Shakespeare lllusionniste.
Forsyth N, 1998. pp. 115-130 dans Dorval P (eds.) Shakespeare et le cinéma, Société Française Shakespeare.
 
Herding cats.
Forsyth N, 1996. The European English Messenger, 5 (1).
 
Journal of ESSE, the European Society for the Study of English.
Forsyth N., 1996. The European English Messenger, 5/1 et 5/2.
 
Mr. Aziz and Fly: Defamiliarizing 'Family' in Midnight's Children
Hennard Dutheil de la Rochère M., Forsyth N., 1996. SPELL, 9 pp. 197-206.
 
Redemptive Eve ?: Homage to Georgia Christopher.
Forsyth N, 1996. Milton Quaterly, 30 (3) p. 149.
 
Wonderful Chains: Dickens and Coincidence, updated and reprinted.
Forsyth N, 1996. pp. 255-274 dans Hollington M (eds.) Dickens: Modern Critics, Croom Helm.
 
Ce diable de Rushdie
Hennard Dutheil de la Rochère M., Forsyth N., 1993. EL, 3 pp. 139-162.
 
The Old Enemy: Satan and the Combat Myth
Forsyth N., 1987., Princeton University Press.
 
Homer in Milton: the Attendance Motif and the Graces
Forsyth Neil, 1981. Comparative literature, 33 (2) pp. 137-155. Peer-reviewed.
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