Christian Michel - ARCHIVE

Research directions

Means to apprehend works of art by the contemporary public of an artist, and how the artist interacts with them

Artists strategies

State of the artistic production between XVIIth century and XVIIIth century in Europe

Art and politics

The art theory as a reception tool of works of art

Relation to the Ancient

Status of engraving

Status of decor arts

Reception and collections

Methodology

Criterions for the production of works of art to be considered as such

Financial, economical and symbolical issues with the aquisition of works of art and how the artist interacts with these issues