Department of English

Anglais médiéval | Gender studies | Linguistique | Littérature américaine | Littérature anglaise moderne | Littérature comparée
Publications | Phd and Masters theses

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72 publications

2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2000 | 1999 |
The Monstrous Bodies of the American Gothic
Soltysik Monnet Agnieszka, 2022/06/01. pp. 59-72 dans The Cambridge Companion to American Literature and the Body , Travis Foster.
 
Twentieth-Century War Gothic
Soltysik Monnet Agnieszka, 2022/06/01. pp. 163-179 dans Twentieth-Century Gothic: An Edinburgh Companion, Sorcha Ní Fhlainn and Berenice Murphy.
 
Haunted Nature, Haunted Humans: Intelligent Trees, Gaia, and the Apocalypse Meme
Soltysik Monnet Agnieszka, 2022/01/01. dans Haunted Nature: Entanglements of the Human and Nonhuman, Blazan, Sladja.
 
War Gothic, 1930-1990
Soltysik Monnet Agnieszka, 2021/11/01. dans The Cambridge Companion to the Gothic, Volume III: The Gothic in the 20th and 21st Centuries, Spooner, Catherine and Dale Townshend .
 
Combat Death in Contemporary American Culture: Popular Cultural Conceptions of War since World War II
Soltysik Monnet Agnieszka, 2021/01/01., Lexington Books.
 
Cape Cod, Literature, and the Illocality of Thinking About Capital
Pickford Benjamin, 2020/12/18. dans Thoreau Beyond Borders, University of Massachusetts Press.
“Lions for Lambs: Ambivalent Memorialisation and Melodrama.”
Soltysik Monnet Agnieszka, 2020/09/01. dans Hollywood Remembrance and American War.
 
The Genres of Genre: Form, Formats, and Cultural Formations
Heim Cécile, Vejdovsky Boris, Pickford Benjamin (eds.), 2019/12/01., Narr.
 
Review essay: Jonathan Vincent, The Health of the State: Modern US War Narrative and the American Political Imagination, 1890–1964 (Oxford: Oxford University Press, 2017, £62.00). Journal of American Studies 08/2019; 53(03):852-853.
Soltysik Monnet Agnieszka, 2019/08/01. Journal of American Studies.
 
'The Fall of the House of Usher' and the Architecture of Unreliability
Soltysik Monnet Agnieszka , 2018/07/01. dans Kennedy J. Gerald, Peeples Scott (eds.) The Oxford Handbook to Edgar Allan Poe , Oxford University Press.
The American Woman Warrior: A Transnational Feminist Look at War, Imperialism and Gender
Soltysik Monnet Agnieszka , 2018/06/01. WiN: The EAAS Women's Network Journal , 1 (1) pp. 1-21. Peer-reviewed.
All is Connected to All (Beyond Normative Perception): Maxine Hong Kingston and the Psychedelic Politics of the Counterculture
Soltysik Monnet Agnieszka , 2018. pp. 125-144 dans Herlinghaus Hermann (eds.) The Pharmakon: Concept Figure, Image of Transgression, Poetic Practice , Heidelberg University Press.
“American War Violence and the Generic Pleasures of Military Violence: Clint Eastwood’s American Sniper.”
Soltysik Monnet Agnieszka, 2018. The Journal of Popular Culture .
"His Face Ceased Instantly to be a Face": Gothicism in Stephen Crane
Soltysik Monnet Agnieszka , 2017. pp. 90-102 dans Elbert Monika, Ryden Wendy (eds.) Haunting Realities: Naturalist Gothic and American Realism chap. 6, University of Alabama Press.
 
Gothic Matters: Introduction
Soltysik Monnet Agnieszka, 2016/10/27. Text Matters: A Journal of Literature, Theory and Culture, 6 (1) pp. 7-14. Peer-reviewed.
American Horror: Origins and Early Trends
Soltysik Monnet A., 2016/08. pp. 53-76 dans Aldana Reyes X. (eds.) Horror: A Literary History, The British Library.
 
Jim Crow Gothic: Richard Wright's Southern Nightmare
Soltysik Monnet A., 2016/07. pp. 297-308 dans Castillo Street S., Crow Ch. L. (eds.) The Palgrave Handbook of the Southern Gothic chap. 23, Palgrave Macmillan.
Is There Such a Thing as an Antiwar Film?
Soltysik Monnet A., 2016/06. pp. 404-421 dans Cunningham D., Nelson J. (eds.) A Companion to the War Film, Wiley Blackwell.
Masculinity and Nation in the Popular Fiction of the Spanish American War: Kirk Munroe's Forward, March!
Soltysik Monnet A., 2016/05. Hungarian Journal of English and American Studies, 22 (1) pp. 11-32. Peer-reviewed.
Review of three monographs on eighteenth century literary forms
Soltysik Monnet A., 2016/04. Eighteenth Century Fiction, 28 (3) pp. 563-568. Peer-reviewed.
 
"Cinderella from a Cross-Cultural Perspective: Connecting East and West in Donna Jo Napoli's Bound"
Hughes R., 2016. pp. 232-252 dans Hennard Dutheil de la Rochère M., Lathey G., Wozniak M. (eds.) Cinderella across Cultures: New Directions and Interdisciplinary Perspectives, Wayne State University Press.
 
Gustav Hasford's Gothic Poetics of Demystification
Soltysik Monnet A., 2016. pp. 22-38 dans Soltysik Monnet A., Hantke S. (eds.) War Gothic in Literature and Culture, Routledge.
 
Ghosts from the Battlefields: A Short Historical Introduction to the War Gothic
Soltysik Monnet A., Hantke S., 2015/12. pp. xi-xxv dans Soltysik Monnet A., Hantke S. (eds.) War Gothic in Literature and Culture, Routledge.
 
The Transnational Zombie: Postcolonial Memory and Rage in the Recent European Horror Film
Soltysik Monnet A., 2015/12. pp. 151-168 dans Decker C., Böger A. (eds.) BTransnational Mediation: Negotiating Popular Culture between Europe and the United States, Universitätsverlag Winter.
 
War Gothic in Literature and Culture
Soltysik Monnet A., Hantke S. (eds.), 2015/12. Routledge Interdisciplinary Perspectives on Literature 264, Routledge.
The Gothic in an Age of Terror(ism)
Soltysik Monnet A., Liénard-Yeterian M., 2015/11. Gothic Studies, 17 (2) pp. 1-11. Peer-reviewed.
 
"The Politics and Poetics of Night Vision in the Contemporary Horror Film"
Soltysik Monnet A., 2015/10. pp. 123-136 dans Aldana Reyes X., Blake L. (eds.) Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon, I.B. Tauris.
 
Medical Preservation and Art: The Mummified Bound Foot of the Mütter Museum
Hughes R., 2015/06., Conference Paper - Approaching Posthumanism and the Posthuman, University of Geneva.
 
Image and Narrative in the Post-9/11 Novel
Soltysik Monnet A., 2015/05. Novel: A Forum on Fiction, 48 (1) pp. 159-161.
 
Re-contextualizing Footbinding: The Spatial Imaginary of Museum Displays
Hughes R., 2015/04., Conference Paper - Trans/National Imaginary: Global Cities and Racial Borderlands, Association for Asian American Studies Conference, Evanston, IL. USA.
"Voyage through death/to life upon these shores": the living dead of the Middle Passage
Chassot Joanne, 2015/03. Atlantic Studies. Literary, Cultural and Historical Perspectives, 12 (1) pp. 90-108. Peer-reviewed.
 
Multicultural or Destitute Hawai'i? Re-visioning the Symbolism of the Aloha Shirt
Hughes R., 2015/03., Conference Paper - American Multicultural in Context, University of Haute Alsace, Mulhouse, France.
 
Political Emotions: Civil Religion and Melodrama in Spielberg's Lincoln
Soltysik Monnet A., 2014/10. pp. 237-256 dans Langlotz A., Soltysik Monnet A. (eds.) Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling, Narr.
 
Emotion, Affect, Sentiment: The Language and Aesthetics of Feeling
Soltysik Monnet A., Langlotz A. (eds.), 2014/09. Spell. Swiss Papers in English Language and Literature, 30 268, Narr.
 
Militarism and Melodrama: The Cultural Work of Combat Death
Soltysik Monnet A., 2014/08. Anglia. Journal of English Philology / Zeitschrift für englische Philologie, 132 (2) pp. 352-368. Peer-reviewed.
 
Anxiety Now
Soltysik Monnet A., 2014/04. Aspeers. Emerging Voices in American Studies, 7 pp. 67-72.
 
"I am at Sea Again:" Queer Intimacies and Crippling Seasickness in Monique Truong's The Book of Salt
Hughes R., 2014/03., Conference Paper - Annual Meeting of the American Comparative Literature Association, New York University, USA.
 
Maxine Hong Kingston as Counterculture Writer
Soltysik Monnet A., 2014/01. pp. 173-192 dans Ludwig S., Alexoae-Zagni N. (eds.) On the Legacy of Maxine Hong Kinsgton. The Mulhouse Book, LIT.
They Are Legend: The Popular American Gothic of Ambrose Bierce and Richard Matheson
Soltysik Monnet A., 2014. pp. 212-222 dans Crow C.L. (eds.) A Companion to American Gothic chap. 17, Wiley-Blackwell.
Transnational War Gothic From the Civil War to World War I
Soltysik Monnet A., 2013/01. pp. 173-188 dans Elbert M., Marshall B. (eds.) Transnational Gothic. Literary and Social Exchanges in the Long Nineteenth Century, Ashgate.
 
"I'll Be Whatever Gotham Needs Me to Be": Batman, the Gothic and Popular Culture
Soltysik Monnet A., 2012/05. pp. 96-113 dans Soltysik Monnet A., Edwards J.D. (eds.) The Gothic in Contemporary Literature and Popular Culture. Pop goth chap. 8, Routledge.
War and National Renewal: Civil Religion and Blood Sacrifice in American Culture
Soltysik Monnet A., 2012/04. European Journal of American Studies pp. 1-15. Peer-reviewed.
 
Black Women Re-visioning American History: The Ghost as Alternative Epistemology in the Works of Toni Morrison, Gloria Naylor and Michelle Cliff
Chassot J., 2012. pp. 183-195 dans Coleman Ph., Matterson S. (eds.) "Forever Young"? The Changing Images of America, Universitätsverlag Winter.
 
Black Women's Ghostly Re-visions of History
Chassot J., 2012. pp. 18-34 dans Allen M.D., Williams S.D. (eds.) Afterimages of Slavery. Essays on Appearances in Recent American Films, Literature, Television and Other Media, McFarland & Company, Inc.
 
The Gothic in Contemporary Literature and Popular Culture : Pop Goth
Soltysik Monnet A., Edwards J.D. (eds.), 2012. Interdisciplinary Perspectives on Literature, 8 202, Routledge.
Transnational Queer Literature of the Other Americas
Soltysik Monnet A., 2011/03. ALIF: Journal of Comparative Poetics, 31 pp. 35-62. Peer-reviewed.
Poe's Poor Devils
Soltysik A., 2010/11. pp. 142-154 dans Hennard Dutheil Martine, Stirling Kirstin (eds.) After Satan, Cambridge Scholars Publishing.
[Compte-rendu de] Pictures of Ascent in the Fiction of Edgar Allan Poe. By Douglas Anderson (New York: Palgrave, 2009)
Soltysik Monnet A., 2010/05. Gothic Studies, 12 (1) pp. 120-122.
The Poetics and Politics of the American Gothic : Gender and Slavery in Nineteenth-Century American Literature
Soltysik Monnet A., 2010/05. 174, Ashgate.
 
'Dusky Sally': La femme esclave entre histoire et fiction
Chassot Joanne, 2010. A Contrario, 2 (14) pp. 78-91. Peer-reviewed.
 
Writing American Women
Soltysik Monnet A., Austenfeld T., 2009/11. Swiss Papers in English Language and Literature (SPELL) 232, Gunter Narr Verlag.
 
"Sound and Sensuous Awakening in Wallace Stevens' Harmonium"
Maeder Beverly, 2009. Wallace Stevens Journal. Special Issue on Sound in Stevens, 33 (1) pp. 24-43.
Fragmentation as Condition and Strategy: History, Narrative and Resistance in the Work of Michelle Cliff
Chassot Joanne, 2009. dans Courtman Sandra (eds.) The Society for Caribbean Studies Annual Conference Papers, The Society for Caribbean Studies.
 
Louisa May Alcott's Many Masks: An Encounter Between Feminism and Queer Theory
Soltysik Monnet A., 2008/11. pp. 83-106 dans Writing American Women, Gunter Narr Verlag.
 
Melodrama and the American Combat Film
Soltysik Agnieszka M., 2008. pp. 165-186 dans Ralph J. Poole , and Ilka Saal (eds.) Passionate Politics: The Cultural Work of American Melodrama from the Early Republic to the Present, Cambridge Scholars Publishing.
 
Recovering "Covering End": What Queer Theory Can Do for The Turn of the Screw
Soltysik A., 2008. Victorian Literature and Culture, 36.1. Peer-reviewed.
 
"Wallace Stevens and Linguistic Form"
Maeder Beverly, 2007. pp. 149-163 dans Serio John. (eds.) The Cambridge Companion to Wallace Stevens, Cambridge University Press.
 
Poe's Aesthetics and American Modernism
Soltysik A., 2007. dans Madsen Deborah (eds.) American Aesthetics, Guntar Narr.
 
"Introduction"
Maeder Beverly, 2006. pp. 15-24 dans Maeder B, Sigrist I, Schwyter J, Vejdovsky B (eds.) The Seeming and the Seen: Essays in Modern Visual and Literary Culture, Peter Lang.
 
"Wallace Stevens and France"
Maeder Beverly, 2006. pp. 1095-1096 dans Marshall Bill (eds.) France and the Americas: Culture, Politics, History, ABC-Clio.
 
A Secret About a Secret: The Relationship Between Caption and Photo in Diane Arbus
Soltysik A., 2006. dans Maeder B., Sigrist I., Schwyter J., Vejdovsky B. (eds.) The Seeming and the Seen, Peter Lang.
 
The Seeming and the Seen: Essays in Modern Visual and Literary Culture
Maeder B., Schwyter J., Sigrist I., Vejdovsky B. (eds.), 2006. Transatlantic Aesthetics and Culture, 1, Peter Lang.
 
The Uses of the American Gothic: The Politics of a Critical Term in Post-War American Literary Criticism
Soltysik A., 2005. Comparative American Studies, 3. Peer-reviewed.
 
The Hidden Artistry of Williams's 'Doctor Stories'
Halter P, 2004. pp. 151-175 dans Rigor of Beauty: Essays in Commemoration of William Carlos Williams, Peter Lang.
 
"Beverly Maeder on Rhetoric and Hierarchy in Stevens"
Maeder Beverly, 2003. pp. 49-54 dans Bloom Harold (eds.) Wallace Stevens, Chelsea House.
 
"Introduction to Representing Realities"
Maeder Beverly, 2003. pp. 11-23 dans Representing Realities: Essays on American Literature, Art and Culture, Gunter Narr.
 
Representing Realities : Essays on American Literature, Art and Culture
Maeder Beverly, 2003. Swiss Papers in English Language and Literature, 16, Gunter Narr.
 
How Thick is the Whale’s Skin? Ishmael, the Reader, and the Limits of the Text
Vejdovsky B., 2000. dans Bolens G., Erne L. (eds.) The Limits of Textuality, G. Narr.
 
Remember Me’; The Wonders of an Invisible World: Sex, Patriarchy, and Paranoia in Early America.” The Origins of Puritan Sex
Vejdovsky B., 2000. pp. 56-71 dans Fessenden T., Zaborowska M., Radel N. (eds.) Emory Elliott, Foreword, Routledge.
 
"Performance, Lyric, and the Audience's Demands in Wallace Stevens' 'The Man with the Blue Guitar' "
Maeder Beverly, 1999. dans Halter P. (eds.) Performance, Gunter Narr.
 
Evolutionary Narratives and American Ideological Tropes: The End of Progress
Soltysik A., 1999. dans Gysin F. (eds.) SPELL: Swiss Papers in English Language and Literature, G. Narr.
 
Wallace Stevens' Experimental Language: The Lion in the Lute
Maeder Beverly, 1999., St. Martin's Press.
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